Listen: Katy Perry’s sad, acoustic version of ‘The One That Got Away’
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Album Of The Week: Schoolboy Q Habits & Contradictions
The youthful L.A. rapper Kendrick Lamar is properly on his way to becoming one thing really particular. Section.80, Kendrick’s really powerful 2011 album, was the work of a ferociously talented rapper and a restless, emotive mind. It wasn’t best — it chased a couple of as well a lot of half-baked ideas down different rabbit holes — but it felt like the starting of a thing thrilling. And a couple of months ago, I saw a area complete of UVA college students chanting along with nearly every single 1 of that album’s twisty stanzas. The kid is catching on in a extremely true way. And now it is worth noticing that he doesn’t come from a vacuum. In numerous methods, Kendrick is an heir to a extended-storied L.A. rap underground that’s historically located techniques to be enjoyable and adventurous in equal measures he’s got a ton of Pharcyde and Freestyle Fellowship in his creative DNA. And Kendrick is also 1 fourth of Black Hippy, a loose L.A. crew that consists of 3 other rappers virtually as talented and inquisitive as Kendrick himself. Two days ago, Schoolboy Q, an additional Black Hippy member, dropped his new album Habits & Contradictions on iTunes. And like Section.80, this one particular looks like the function of a youthful, not fairly entirely-formed visionary. I wouldn’t be surprised if thousands of college college students had been frantically attempting to memorize its verses at this exact second.
Inside of the ranks of Black Hippy, Kendrick is probably the most introspective member, whereas the reasonably blunt-edged Jay Rock is the hardest. Schoolboy Q rests someplace in the middle of that spectrum. Habits & Contradictions has a lot of talk about drugs and guns and robbery, but it generally doesn’t assault these subjects in common rap methods. Instead, we get tracks like “My Homie,” a dense and wounded story-song rapped from the viewpoint of a kid fuming in prison soon after his friend ratted him out. That’s a widespread trope in rap — take into account Jay-Z’s “A Week Ago” — but it’s virtually never rendered with the sense of raw betrayal that Q brings to the track. Along related lines, there is stuff like “Raymond 1969,” a volatile and menacing track about feeling trapped in the underworld. And although there’s plenty of rote sex-speak and bragging on the album, it’s delivered with design and stuttery, polysyllabic force.
Q is very considerably a portion of the net-rap zeitgeist I know folks who assume he stole LIVELOVEA$ AP away from ASAP Rocky with his verse on “Brand New Guy.” And that comes into play on Habits & Contradictions. ASAP guests, as do all the other members of Black Hippy and a couple of other surging weed-and-sneakers varieties like Curren$ y and Dom Kennedy. But Q doesn’t truly need all people guests he switches his voice up usually enough that his voice in no way feels repetitive over the album’s hour-prolonged playing time. Sonically, the album also addresses a great deal of ground. We get a handful of fun and surprising sample options: Genesis’s fluttering “Firth Of Fifth” on “Gangsta In Designer,” Portishead’s wracked “Cowboys” on “Raymond 1969.” Lex Luger gets a likelihood to try out out a crackly stoner-rap sound on “Grooveline Pt. one,” whereas a track like “Druggy Wit Hoes Again” has a bloopy Casio-bounce simplicity. Sounds twist and ripple and continually adjust, and that is how the Black Hippy children seem to be to like it.
I didn’t get an advance copy of Habits & Contradictions or anything. There is a lot going on in this album, and I’m only beginning to pick it apart. But from jump, it’s pretty obvious that this is an exciting piece of operate from an artists who’s still discovering his voice. It is not perfect, but it is damn excellent, and I’d be prepared to bet that Schoolboy Q will do even better items further down the line.
Habits & Contradictions is out now on Leading Dawg Entertainment. And this week, there are also a few other albums out that are worthy of some interest. Kathleen Edwards’s Voyageur is lovely and sonically sophisticated singer-songwriter folk-pop Justin Vernon co-generates the album and helps bring the expansive instrumentation. Loma Prieta’s I.V. is harsh, explosive Converge-type post-hardcore with some impressively layered musical concepts. The Big Pink’s Long term This is perfectly qualified huge-chorus Brit-rock. And the American release of The Boys, the album from the apparently ridiculously well-known Korean lady group Girls Generation, has some unbelievably catchy tracks on it, even if the attempts at American pop-radio crossovers fall completely flat.
Sleigh Bells unleash new single ‘Comeback Kid’: Hear it here
Image Credit: Tim Mosenfelder/Getty Photos
Want a pick-me-up following spending morning watching (and rewatching) Lana Del Rey’s wooden SNL outing?
Sleigh Bells has the remedy. The Brooklyn noise-pop duo hit the net right now with “Comeback Kid,” the first appropriate single from their upcoming sophomore effort Reign of Terror, due February 21.
The track — whose optimistic title gives an substitute to the underachiever anthem “Born to Shed,” a previously released RoT cut – pleasingly fuses pummeling beats and grungy guitar heroics with Alexis Krauss’ sugar-sweet vocals.
You can acquire the track on iTunes (it also comes free if you preorder the album), but first examine it out under:
A lot more on EW.com:
Lana Del Rey’s ‘SNL’ functionality draws criticism, counter-backlash: Watch the video right here
View vintage footage of teenage Kanye rapping — VIDEO
Tv Jukebox: ‘Californication,’ ‘The Game,’ ‘CSI’ and more music-on-Television moments this week
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Punchline – So Nice To Meet You
Punchline, Pittsburgh pop punk established in 1998, released their So Good To Meet You EP Jan. three, by way of the label Modern day Short Stories.
So Great To Meet You reached #1 on the iTunes Rock Chart Jan. 6, beating out Metallica’s Beyond Magnetic EP, The Beatles’ 3.one, and Nickelback’s Right here And Now.
The very first track evokes typical Punchline with the clever lyrics, a catchy chorus, and a handful of synth-driven pop punk breakdowns. “Universe” is a love song about a girl who is a boy’s universe and he is “just a planet.” “So nice to meet you” is in fact a line from the song, titling the EP.
“Everything I Wanted” has a sound influenced by the authentic artists of rock ‘n’ roll that’s obvious in the drums and the hand clapping. Drummer Cory Muro keeps the time with a weighty hand on the cymbal, not losing any time. His design is very considerably appropriate to the variations in genres this track goes via. For the most component this track sounds quite 1990s pop punk (think Bowling For Soup). Nevertheless, there is a breakdown that is extremely Moog or synth sturdy, considerably like Ludo.
The five-track album functions a cover of “I Want You To Want Me,” initially carried out by ’70s rock band Affordable Trick. Although on the tv display “Mobbed,” Soboslai proclaimed his love to extended-distance friend Dana with a solo, acoustic version of ‘I Want You To Want Me.”
So Good To Meet You is obtainable on iTunes and on the internet at the label’s website. This is an album worth owning if you ever went by way of that pop punk phase – or are still in it.
Photo Credit: facebook.com/punchlinemusic
One to watch: Gabrielle Aplin
Who is she?
An unsigned 19-year-old singer-songwriter from Bath who has been creating a bit of a stir on the internet in modern months.
Why?
Due to the fact she has six.five million plays on her YouTube channel and has been ‘liked’ on Facebook by 21,000 people.
Have not we heard all this prior to?
Yes, but in this situation it’s completely deserved since her music is genuinely very good.
What does her music sound like?
It really is basically acoustic folk-pop with a classic English rose-form vocal, or as she puts it: “ghosty pop/folk with hints of choirs and twinkly points!”
So she’s a bit like Ellie Goulding then?
Sort of, but a lot less “developed” and with a bit more array. Her covers on YouTube array from Katy Perry to Two Door Cinema Club.
What has she achieved so far?
Her most current, self-released EP ‘Never Fade’ went top 15 on iTunes and she’s previously supported Charlie Simpson and Matt Cardle.
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Giveaway: Philips Fidelio SoundAvia Wireless Speaker
I’d like to think that I was among the company of many who were only vaguely familiar with CES. I now realize that I was in the sincere minority of folks who are only vaguely familiar with CES and that’s totally my bad. The International Consumer Electronics Show, for those also in the minority, is an annual convention showcasing the electronic inventions and innovations that will shape the year to come. From Tetris, to the DVD, to the Blu-Ray, tons of game-changing products were first showcased at CES.
Consequence of Sound, in partnership with Philips Consumer Lifestyle, will be attending CES this year to get the lay of some whoozits and flimbjiabs for you. “So, is Philips sponsoring you?” Yes, they are, but only because we like them just as much as they like us. For real — we’re jazzed about this collabo. After all, who doesn’t want to be in “the know” about high-end technology, especially high-end technology that’s created to make music sound great?
I can see eyes narrowing. Look, few people are more skeptical and cynical than I, so just trust us on this: we’re giving away Philips Fidelio SoundAvia wireless speaker with AirPlay AD7000W. That’s the ultimate “I don’t want to get up to change the song” machine that you can control right from where you’re sitting. It works wirelessly with your iPod, iPhone, iPad — anything with iTunes and sounds fantastic. Fidelio is Philips’ premium audio line.
To win, you gotta follow Philips @ObsessedwSound on Twitter and tweet this from your account:
“@Coslive and @ObsessedwSound say you can RT this for a chance to win Philips Fidelio Speakers http://bit.ly/xkXKFa #PhilipsCES”
Skylar Grey Unveils ‘Buried Sessions’ Artwork
Rap-Up.com has your first appear at the eerie cover for Skylar Grey’s EP The Buried Sessions of Skylar Grey. The digital release, which precedes the singer-songwriter’s KIDinaKORNER/Interscope debut Invinsible, will be available January 17 on iTunes and contain solo versions of the hits she penned which includes Diddy-Dirty Money’s “Coming Home” and Lupe Fiasco’s “Words I Never Said,” along with the original demo of Eminem and Rihanna’s “Love the Way You Lie.” Preview what Skylar has in keep beneath.
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