Tupac is alive 2012 Virtually
Posted by James Buckley 
Modern day technological innovation has brought us streaming music, streaming movies, video chatting, texting, mp3s,…and Tupac?
The Coachella Valley Music and Arts Festival in Indio, California is annual multi weekend festival featuring a selection of musical acts. Past performers have incorporated Pearl Jam, The Beastie Boys, Roger Waters, Madonna, Dr. Dre, The Remedy, and numerous a lot more. This year’s event has been highlighted by one thing a little bit various, the spirit of the legendary late rapper, Tupac Shakur.
Tupac was resurrected in hologram form to complete with Snoop Dog on the songs, “Come With Me,” “Hail Mary,” and “Gangsta Party.” The appearance by Tupac and one more by the late, Nate Dogg, who is the cousin of Snoop, has produced an outpouring of emotion and is producing this kind of an outstanding buzz that Dre and Snoop are taking into consideration taking Tupac and Nate Dogg on tour.
The illusion of Tupac Shakur, who past away in 1996, was created by Digital Domain, an effects home situated in Hollywood. The folks at Digital Domain were in a position to produce a CGI version of Shakur and then utilised angled reflectors to bring the rapper to lifestyle on stage.
The performance can be identified all above the internet and it is very magical.
Nicki Minaj’s ‘Pink Friday: Roman Reloaded’ Album Track-by-Track Preview
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Nicki Minaj’s sophomore album, Pink Friday: Roman Reloaded, leaked a week before it’s April 3 release date, and was quickly branded a mediocre LP. There is a lot to listen to. Minaj’s second effort should be a double album, maybe even a triple disc. It clocks in at 19 tracks, 69 minutes and crosses three genres: hip-hop, pop and EDM (electronic dance music). Tracks 10 through 15 are an all-out dance party — a place Minaj’s full-length debut didn’t dare to go — thanks to club-friendly production from RedOne.
Despite being named after her troubled and flamboyant alter-ego Roman Zolanski, Minaj’s sophoore album doesn’t conceptually rely too much on her inner man — only a handful of tracks are belted out in character. The 29-year-old MC does return to her early rap roots singing more explicitly and along with more experienced players — Nas, Beenie Man, Young Jeezy and Cam’ron — and the usual cast — Drake, Lil Wayne and Rick Ross. Truth be told, Roman Reloaded doesn’t have the same continuous start-to-finish play objective as its predecessor — diss tracks get repetitive and one-too-many “let’s get wasted at the club” bangers make fingers wander toward the skip button — but the album does have something for everyone. The BoomBox listened to Nicki Minaj’s album non-stop for two days straight. Here we provide a track-by-track breakdown of her genre-bending and fun sophomore album.
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Grammys 2012: Adele’s ’21′ wins album of the year
This post has been corrected. See note at the bottom for facts.
Soul traditionalist Adele triumphed more than pop stars, a veteran rock act and an up-and-coming songwriter/producer to win the most prestigious Grammy prize, album of the year, for her “21.” It was her sixth award out of 6 nominations, a clean sweep. The weighty front-runner, Adele shocked no 1 in taking the best honor at the 54th Grammy Awards.
Her “21″ was championed by critics and embraced by fans, as it was the top rated-promoting album of 2011 and hasn’t left the best ten on the U.S. pop charts because its release final February.
Adele, who was named best new artist at the 2009 ceremony, underwent vocal surgery in November and was forced to cancel her U.S. tour. Tonight’s Grammys marked her return to the stage, and her album of the year win signaled that Grammy voters will opt for songcraft, raw emotion and a dazzling voice more than pop trends or guitar slingers. She bested the performance-art pop of Lady Gaga, singles machine Rihanna, pop/R&B handyman Bruno Mars and alt-rock survivors Foo Fighters.
Photographs: Grammy Awards red carpet
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Pop music review: Glass Candy at Los Globos
The Oregon act provides 2011 an existential send-off with its magnetic electronic music — much to the enjoyment of the bedazzled groovers packing the new Sunset club.
2011 will be remembered in Best 40 pop terms as a moment in which the electronic dance music sound of property and techno and its speedy tempos crossed above into the mainstream.
Club bangers that a couple of a long time ago have been the sole property of the Electrical Daisy Carnival rave crowd — and prior to that renegade warehouse parties and ahead of that gay discotheques — discovered purchase in the leading ten with a pumped-up, simplified edition created well-known though Grammy-nominated artists this kind of as Rihanna, Katy Perry, LMFAO and Chris Brown. And all around the L.A. region on New Year’s Eve, many of the superstar producers and DJs involved in this crossover, amongst them Kaskade, Chromeo, Diplo and Duck Sauce, delivering beefy beats for tens of thousands of hungry revelers.
But like any vibrant genre, electronic dance music is made up of multitudes, and even though the masses sweated in convention centers to the massive, bumpin’ rhythms, at the rustic Los Globos club on Sunset Boulevard, a smaller sized crowd of a number of hundred bedazzled groovers celebrated the arrival of 2012 packed tightly into a weathered third-story dance floor moving to Portland, Ore., duo Glass Candy. The group’s producer-composer-keyboard player, Johnny Jewel, is the brains behind the excellent independent label Italians Do It Better, and he received a burst of mainstream attention in 2011 when some of his magnetic electronic music was featured in the cold Ryan Gosling-featured L.A. noir film “Drive.”
Hey Mr. DJ: 10 Questions for Scram Jones
Need to have unique beats? Call Scram Jones. Want a versatile DJ? Contact Scram Jones. The New Rochelle, New York native is not happy with laying claim to 1 career objective, as his 11-plus years experience in the music sector proves. He’s even mastered the art of spitting rhymes on the mic. Certainly this turntablist is in a league of his personal. From developing original production for the likes of Mariah Carey to touring with the Wu-Tang Clan, Scram’s résumé reads like a wannabe DJ’s want list.
Armed with a degree in audio engineering and sociology from Ithaca School, this record spinner relied on the fundamentals of his studies—formulating beats and crowd watching—to lock down a lucrative occupation. Not many can say they rub elbows with iconic rappers in the studio one particular day then spin for top designs and wealthy children at some of New York City’s posh hotspots. But Scram Jones does it all with a hip-hop edge.
After all, the boom bap of rap music is in which he got his start off. But his longevity in the game is due to his capacity to take his mastery of hip-hop on all levels—MC, producer, and DJ—and mash it with genres like electro, rock, and property. As 2012 approaches, he’s in a great place, with two albums set for release, club residencies in impact, and a production schedule that beats any stock broker’s calendar.
Delve into the mind of Scram Jones.
one. How prolonged have you been a DJ?
I got my 1st turntables 18 many years ago—the end of ’92, starting of ’93. I was constantly DJing from then on, I was in higher school. I was performing the mixtape stuff, little battles, the house parties. Professionally, I was doing clubs for the duration of college in ’99. Then in the city, almost certainly all around 2000.