Video clip Jamaica – I Think I Like U2
Directed by So-Me (ed Banger) and Thomas Jumin.
Jamaica is Antoine Hilaire and Flo Lyonnet.
”I Think I Like U 2″ produced by Xavier de Rosnay (Justice) and Peter J. Franco
Via www.kdbuzz.com
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Roybot – Team Telekom (dir. David Fishel)
There is No Disko
vimeo.com
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Request
Hey gang, I’m looking for a video from a year or two back where it’s basically composed of static locked-offs /or very simple handheld match cut shots of a folky-looking dude always in center frame, playing a guitar and singing. And I’m fairly sure the sound was recorded on location… the locations primarily being set across farm, paddock, rural-ish places.
Hope this makes sense?
cheers
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PHOTOS: Alicia Keys Plays Key-Shaped Keytar, Asks Audience If They Get It
View full post on Idolator: Music News, Reviews, And Gossip
Follow The Yellow Brick Road Straight Into Peaches’ Disturbing “Billionaire” Video
While Fox News is bitching about the “Telephone” video, something tells us they haven’t yet seen Peaches’ Wizard Of Oz-inspired music video for “Billionaire,” which includes Dorothy smoking a giant blunt with the Wicked Witch, the mass murder of the Scarecrow, Tin Man and the Cowardly Lion, and Toto being eaten alive. If you don’t mind your favorite childhood movies being destroyed forever, jump below to watch the video. (But beware: you cannot un-see this clip.)
Peaches feat. Shunda K – “Billionaire”
In the crayon-enhanced video, Peaches plays Dorothy in the most effed-up retelling of The Wizard of Oz you could ever imagine. At least one thing is consistent with the original MGM musical movie—those flying monkeys are still freaking terrifying.
Musicians pay tribute to Alex Chilton at SXSW (Reuters)
Reuters – Alex Chilton, who died of a heart attack Wednesday, three days before the scheduled performance of his band Big Star at the South By Southwest music conference, was memorialized at the Austin event by colleagues, friends and admirers, with words and, most important, with music.
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SXSW Day 4: Dum Dum Girls are ready for their close up, No Age gets bigger and Sleigh Bells hits hard
The likes of Perez Hilton and Rachael Ray threw in-demand parties on the fourth and — for all intents and purposes — final day of the South by Southwest music conference and festival in Austin, Texas. With just under 2,000 bands, many of them on the hunt for next-big-thing status, plotting a show-going schedule can be an arduous task, and it's easy to see why designer quesadillas and flavored drinks can be a welcome distraction.
Yet after the guest lists have been tossed and the music industry has retreated from the Texas capital, it won't be the VIP parties that made a lasting impression. It will be the artists.
Los Angeles has a worthy contender in the Dum Dum Girls, the '60s-tinged fuzzed-out rockers who take old-fashioned melodies and make them streetwise tough. All sporting different variations of black, the Dum Dum Girls have a look that could be ripped from a vintage film noir poster, and a sound that mirrors that femme fatale image.
Though based in L.A., the Dum Dum Girls have felt a bit like outsiders. The band's rapid ascent began last fall in New York at the CMJ Music Marathon, and their hometown shows have been few and far between. The band's first SXSW comes near the eve of the March 30 release of the act's Sub Pop debut, "I Will Be," and in Austin, the band was more assured, confident and simply downright cool than it had been at its smattering of L.A. gigs.
Opening with a slowed down and droned-out version of the Rolling Stones' "Play With Fire," the Dum Dum Girls offered the song as if it was a dare. The band stood largely in place, with a glare affixed out above the audience, lending a detached, effortless and old-fashioned rebellious rock 'n' roll attitude to its songs. Girl group harmonies grace the racing "Bhang, Bhang, I'm a Burnout," and drummer Frankie Rose, ex-Vivian Girls (a more 21st century reference point for the group), brought a defiant kick to the more moderately paced "Rest of Our Lives."
