Archive for March 1st, 2010

View full post on Idolator: Music News, Reviews, And Gossip

Many fine artists have covered Bee Gees’ late ’70s chart-topper “How Deep Is Your Love”—from The Temptations and The Bird & The Bee to, er, Donny Osmond. And now Kelly Rowland has taken a stab at the Saturday Night Fever ballad, with a little help from jazz stud Michael Buble.

Now, up to this point, the only version that’s come close to the original has been the 1996 cover by Take That—mostly due to its creepy, Misery-esque video. Does Kelly and Michael’s rendition hold a candle to the That’s? Head below to find out.

wpa_urls.push(‘\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0069\u0064\u006f\u006c\u0061\u0074\u006f\u0072\u002e\u0063\u006f\u006d\u002f\u0077\u0070\u002d\u0063\u006f\u006e\u0074\u0065\u006e\u0074\u002f\u0075\u0070\u006c\u006f\u0061\u0064\u0073\u002f\u0032\u0030\u0031\u0030\u002f\u0030\u0033\u002f\u0048\u006f\u0077\u002d\u0044\u0065\u0065\u0070\u002d\u0049\u0073\u002d\u0059\u006f\u0075\u0072\u002d\u004c\u006f\u0076\u0065\u002d\u0077\u005f\u002d\u004d\u0069\u0063\u0068\u0061\u0065\u006c\u002d\u0042\u0075\u002e\u006d\u0070\u0033′);Kelly Rowland & Michael Buble – How Deep Is Your Love

Okay, okay—we can admit that Miss Kelly’s update of “How Deep Is Your Love” manages to capture the sleepy, soothing elevator jam quality of the Bee Gees’ original. And Rowland is certainly no stranger to taking on the Gibb brothers’ classics—Destiny’s Child covered Samantha Sang’s “Emotion” (written by Barry and Robin Gibb) on their Survivor album.

But—sigh—there’s also something lulling about Take That’s crack at the tune. It was their first single to not feature the recently-departed Robbie Williams, and the band split upon its release in early ‘96. In a poetic stroke of wink-wink artistry, Gary, Mark, Jason and Howard get pushed off a cliff in the music video by a sadistic fan.

(Incidentally, after the four reunited a decade later, their first video, “Patience,” featured them singing on a cliff. Take that.)

Anyway, Kelly and Michael give the British man band a good run for their money, so we’ll just call it a tie. And as for whether or not the song ends up on Rowland’s upcoming album, it’s anyone’s guess at this point.

View full post on Idolator: Music News, Reviews, And Gossip

Reuters – David Bowie is spending his Golden Years in anonymity.

View full post on Yahoo! News: Music News

What scares horrormeister Stephen King?

How about terrestrial radio?

The prolific author has always been a passionate music fan, even moonlighting as a rock star on occasion as a part-time member of Dave Barry’s ad hoc literary rock band, the Rock Bottom Remainders. But over time King found less and less that caught his ears when he would spin the radio dial, which is part of what led him to take on a key role in Shooter Jennings’ ambitious new concept album, “Black Ribbons,” a project that's explored in a full Calendar feature in Saturday's paper.

“I'm a big alt-country fan, but I got to a place in my own musical listening where I was starting to not listen anymore,” King said when he called the other day to talk about volunteering his voice as narrator of Jennings’ atmospheric tale of a late-night radio talk show host who is the last voice of freedom in an increasingly restrictive society.

“I didn’t buy much music anymore, then I got an XM radio and discovered this show, ‘Outlaw Country,’ hosted by Mojo Nixon, and to me that sounded like the way rock 'n' roll used to sound back in the day when I was a kid. It didn’t sound like country, it didn’t sound like rock, it sure didn’t sound like the country that’s on the radio where I come from.”

“Shooter was one of the artists they played, and I liked the thing he was doing, the playfulness of it,” King said. “I still don’t remember how he got my e-mail…but he sent me a note saying ‘I have this idea — would you be interested?’”

“He had visualized the last disc jockey in the world doing this kind of pirate radio thing — he’s going to be shut down, and he knew he was going to be shut down," said King, noting that he owns two radio stations himself: "one rock, one talk." "So on his last show he’s playing cuts from his favorite group, which was this [Hierophant] group Shooter had envisioned, and he’s playing all the songs on their record…. I heard that and said, ‘I want to be part of it.’”

King sounds like he’s having a great time with his role as a deejay named Will O’ the Wisp on “Black Ribbons,” which comes out Tuesday. Jennings, the son of Waylon Jennings and Jessi Colter, had gotten the idea “to make a record that’s carried by one voice,” and as a longtime fan of King’s writings, he quizzed friends and associates for six months until one of them produced an e-mail address so he could send off his pitch.

In fact, the whole collaboration between Jennings and King was conducted by e-mail. The two still haven’t met, or even spoken by phone. “We’ve exchanged pictures of our children and [my] grandchildren,” King said. “I hope we get to meet one of these days.”

Read the full story here.

–Randy Lewis

Photo: Stephen King in 1999. Credit: Paul Morse / Los Angeles Times

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